Tutorium zur Vorlesung "Introduction to British and American Literatures" im Sommersemester 2024. Laney Lorentz, Mittwochs 12-2, NP5 R0107.

What is, or was, Nature? The sacred gift of the Earth Mother? A landscaped garden or a well-managed forest on the outskirts of town? Or a howling wilderness, beyond the pale of human settlement? A pastoral, idyllic retreat for stressed-out urbanites? Open farmland, managed by agro-industrial means? Rugged mountain terrain or dense primeval woods, roamed by wild animals and men? An ever dwindling, ransacked, polluted but essential resource for the survival of humanity?

In the time of wars, pandemics, and catastrophic climate change, the “imperfect is our paradise”, as Wallace Stevens wrote in “The Poems of Our Climate”. And he added: “Note that, in this bitterness, delight, / since the imperfect is so hot in us, / lies in flawed words and stubborn sounds.” In this course on American Nature Writing from the 18th to the 20th century, we will study the words and sounds, flawed or delightful, ambiguous or stubbornly direct, of numerous North American writers who have taken the measure of The Great Outdoors – a realm so unlike most European landscapes.

If “America” was still seen, in the early 19th century, as Nature’s Nation, things began to change rather fast. Westward migration, urbanisation and industrialisation, water pollution and deforestation, agrobusiness, railroads and, later, interstate highways as well as mass tourism and other developments made huge inroads into North America’s once pristine natural reserves. Despite legislation to protect them, these large sections of sparsely populated land are still vulnerable today. In recent decades, the effects of universal climate change, also man-made, can’t be ignored by anyone but the dumbest ignoramus. Against this background we will study selected nonfiction (diary, travelogue, essay, etc.), fiction, poetry and ecocriticism in order to ascertain what literature, i.e., the effective, memorable use of language, can contribute to the debate about the delights of Nature, the potential for its sustainable use even in industrial countries, and the survival of man (= Mensch) in our imperfect paradise.

Erste Sitzung: 18 April 2024

Literature and sources: Our material will be available in the form of downloads from MOODLE by the end of March. A preliminary outline and a selection of helpful criticism can be accessed via the reserve shelf in the library (BB2) and on MOODLE by that time.

This course is open to serious students with an interest in literary and, to some extent, cultural (esp. environmental) studies. Make sure to enrol via MOODLE (no password needed) by mid-March and read the announcements there. Regular and active participation, including a handout and a short oral report is required of everybody (“Studienleistung”). Prior to the first meeting (quiz!) you must have read Terry Gifford’s essay on the “Pastoral” tradition in literature on MOODLE. We will practise the following skills (“Kompetenzen”) on an advanced level: close reading, discussing literary texts and (eco)criticism, composing handouts and short essays, and giving effective oral presentations, via ZOOM (or, if possible, in class).

Leistungsnachweis:

Simple credit ("Studienleistung") is awarded for regular and active participation, including a short report on relevant criticism and a handout. Full credit ("Prüfungsleistung") for students with a focus on Literary Studies requires an additional term paper (approx. 20-25 standard pages). BA and MA students in Literary Studies may also opt for an oral exam. Students focussing on Cultural Studies will take a written exam.



In this seminar, we will tackle the topic of 'coming of age' from different perspectives. We will trace the historical development of the definition of what it means to grow up and to become an adult from the 19th century into the 21st. Associated key terms of discussion will be biography, transformation, identities, change, persistence, resistance, resilience. 

Please read the novels Cat’s Eye und Little Fires Everywhere.

Requirements for students of English: Regular and active participation. You must have finished reading both novels by Atwood and Ng. Should there be too many students, there will be a test to check on this. It is also mandatory that you turn up for the first meeting, no exceptions.

  1. Registration: You'll need to register on HISLSF AND on Moodle in the first week of the semester; no exceptions. You'll receive the Moodle password via HISLSF.


  1. Course material: use the time before we get together online for extensive and intensive reading.


  1. Leistungsnachweis: For a Studienleistung, you'll have to attend the meetings and be prepared for (an) additional task(s), depending upon the development of the course and your course of studies.

For a Prüfungsleistung, see above plus one research paper.




Literaturhinweise:

Margaret Atwood, Cat's Eye (novel 11988)

Elizabeth Bishop, "In the Village" (short story, 1953; available online)

Charlotte Brontë, Jane Eyre (novel, 11847)

Stephen Daldry (dir.), Billy Elliot (film, GB 2000)

Celeste Ng, Little Fires Everywhere (novel, 2017)




This lecture intends to provide a rough historical background, to discuss representative texts which emphasize certain literary developments, and to offer exemplary readings of the English novel and its tradition. We will start with the 'fathers' of the modern novel (Defoe, Swift, Fielding, Richardson etc) and work our way towards late 19th century representatives like Oscar Wilde and Thomas Hardy.



Note: The written exams in literary studies ("Fachklausur Literaturwissenschaft") for "Englisch" (L1, L2, L3, L4) will be based on material surveyed in this lecture. Hence, exam candidates are encouraged to attend.




Literaturhinweise:

The novels covered prominently in this lecture are (selection; abbreviated titles):

Defoe, Robinson Crusoe // Defoe, Moll Flanders // Swift, Gulliver's Travels // Richardson, Pamela //Austen, Northanger Abbey // Austen, Emma // Shelley, Frankenstein // Dickens, Oliver Twist // Dickens, Christmas Carol // E. Brontë, Wuthering Heights // Ch. Brontë, Jane Eyre // Collins, The New Magdalen // Stoker, Dracula// Stevenson, Dr Jekyll and Mr Hyde // Wilde, Dorian Gray

Having read some of them is advisable .




This Übung is based on my lecture on History of the Novel (18th and 19th century). Texts will be studied in much greater detail and with more emphasis on interpretative techniques.

Material/ Literaturhinweise:

Jane Austen, Northanger Abbey

Charlotte Brontë, Jane Eyre



Voraussetzungen: Regular and active participation. You must have finished reading both novels. Should there be too many students (max. 25), there will be a test to check on this.

It is also mandatory that you turn up for the first meeting, no exceptions.


Unruly is a difficult adjective; it always depends on the (historical, social, psychological, ….) context, and on what the respective society assumes to be its opposite: Obedient? Adjusted? Adapted? . In this seminar, we will look at the representation and evaluation of women who do neither conform to the expectations of their peers nor to readers’ expectations. The seminar will cooperate with the Staatstheater Kassel production “Die Zähmung der Widerspenstigen” which will premiere on June 1st. Further information will be provided during the first meeting.





Requirements: Regular and active participation. You must have finished reading both plays by Shakespeare. Should there be too many students, there will be a test to check on this. It is also mandatory that you turn up for the first meeting, no exceptions.

  1. Registration: You'll need to register on HISLSF AND on Moodle in the first week of the semester; no exceptions. You'll receive the Moodle password via HISLSF.


  1. Course material: use the time before we get together online for extensive and intensive reading.


  1. Leistungsnachweis: For a Studienleistung, you'll have to attend the meetings and be prepared for (an) additional task(s), depending upon the development of the course and your course of studies.

For a Prüfungsleistung, see above plus one research paper.




Literaturhinweise:

Margaret Atwood, The Robber Bride

Caryl Churchill, Top Girls

Aritha van Herk, The Tent Peg

William Shakespeare, The Taming of the Shrew

William Shakespeare, Macbeth

Phoebe Waller-Bridge, Fleabag